Inside the Millerntor-Stadion - FC St. Pauli with backstage access, Hamburg, Germany

#stpauli #fcsp #hamburg Inside the Millerntor-Stadion - FC St. Pauli the most Punk and Metalhead Football Club on the Planet 00:00:00 Fc St. Pauli - Hells Bells ACDC - Alerta! Antifascista! - Getting to the Millerntor-Stadion 00:00:56 Outside the Stadium 00:02:51 FC St. Pauli Museum Bar 00:03:34 Getting Inside the Stadium 00:03:50 Locker Room 00:04:33 The Tunnel 00:05:05 Inside the Field 00:06:03 The Seats 00:06:27 Bar Area 00:06:42 Press Area 00:06:51 Press Conference Room 00:07:05 Congstar VIP Room (Séparée) 00:08:05 Emil Frey VIP Room (Séparée) 00:08:15 Astra Bier VIP Room (Séparée) 00:08:59 Inside the Field 00:09:10 The Dugout 00:09:31 FC St. Pauli Museum 00:13:09 The Museum WC 00:14:09 Millerntor-Stadion Model BONUS 00:14:27 Jolly Roger Pub 00:15:28 FC St. Pauli Punks 00:16:15 Hamburg DOM 00:17:06 Alerta!Alerta! Antifascita! "Musicians are queuing up to show support to the Hamburg football club thanks to its politically engaged fans and entrenched activist ethos Hamburg’s FC St Pauli occupies a distinctive position in world football. A bastion of leftwing activism and DIY arts, its supporters, particularly the legendary “Ultras”, are one of the western world’s most politically and culturally engaged fanbases, and the club is particularly beloved of punk and underground music fans. “St Pauli is unlike any other club,” says Tim McIlrath, frontman of American melodic hardcore band, Rise Against. “We went to their stadium, and to see ‘No Football for Fascists’ painted across the stand, to see them encouraging more girls playing football – it’s fascinating. I was looking for a club that transcends sport – St Pauli is a model of that.” ... Away from the pitch, the Millerntor-Stadion and the surrounding area play host to a number of non-footballing events, including a workshop at which representatives of each team detail their concerns about the far-right in their homelands. DJs pump hardcore punk, ska, dub and electro through a soundsystem overlooking the pitch, and on Saturday evening, we’re treated to sets from Italian punks Bull Brigade, Connecticut rapper Ceschi Ramos, and Stuttgart ska band No Sports. ... To further add to the team’s punk credentials, their recent off-season American tour included a stop-off in Detroit for a Rise Against show. They’re far from the only band in thrall to St Pauli. Acts from Norwegian metal band Turbonegro and London indie group Art Brut to Icelandic post-rockers Sigur Rós and New Jersey rock outfit the Gaslight Anthem are vocally supportive. “They were one of the first clubs to not allow racists in, and they’ve been pretty left [wing], and punk rock,” Gaslight guitarist Alex Rosamilia has said. Punk and metal bars across Europe and North America are plastered with FCSP stickers and memorabilia; the team walk out to the strains of AC/DC every home game. There’s a sense of urgency in many artists’s statements about FCSP. “To stand for ideals together with FCSP is a big honour for us,” says Dema, frontman of Italian ska-punks Talco. “Especially to spread antifascist and antiracist views in a society in which the important and real things are brought out of focus.” Rise Against’s McIlrath adds: “Sport can provide sanctuary to a lot of rightwing motivations and hooliganism – FCSP taking a proactive stand against that is exciting.” And as one middle-aged Ultra tells me, FCSP supporters’ musical interests go beyond punk and metal. In the 1980s and 90s, many Ultras eschewed “cheesy German punk” for dub and reggae. His sentiment still holds – many of the younger supporters have little to do with rock and are active in Hamburg’s DIY techno, house and Afrobeat scenes. It’s increasingly rare to see a subculture blossom to this extent, certainly in the middle of a major western European city. Yet it’s writ large across Hamburg, even away from its nucleus in St Pauli. One factor may be the German government’s fiscal attitude to culture: as Arts Council England’s year-on-year budget reduction since 2010 continues with a further cut of £156m by 2022, German culture minister Monika Grütters has proposed an increase to national arts funding of €302m (£256m) a year. ... Nevertheless, a subculture on this scale, encompassing music, sport and politics, feels refreshing in 2018, particularly given the grassroots work that FCSP does for refugee and antifascist causes. Without this subculture, those good deeds may go undone; without comparable subcultures, who knows what else we’d lose? As Göttlich says, “If a musician is not working closely with his fans, the musician will disappear. A fan community is something to nurture. Our fans don’t always do everything right, but they are what make St Pauli special.”

Casa Villarino, Bossa Nova History, Rio de Janeiro, Brazil

"A mix of restaurant, bar and warehouse, Casa Villarino was the stage where Bossa Nova began. That’s where Vinicius de Moraes and Tom Jobim met. Casa Villarino was founded in 1953 by the Spanish. Strategically located in the center of the city where, at the time, the main radio stations, newspaper headquartes and record companies of the whole state were also located, Casa Villarino became a reference of carioca bohemia with a mix of restaurant, bar and grocery warehouse. The place was frequented by intelectuals, musicians, poets, and journalists who gathered after their work day to drink some nice whisky and chat to their delight. With so many musicians attending the place, the restaurant became one of the birthplaces of Bossa Nova." - ttps://riotur.rio/en/onde_comer/casa-villarino-2/ "With a welcoming atmosphere, Casa still preserves its nostalgic aura in every corner. Founded in 1953, Villarino initially functioned as a whiskey shop and only opened at 6 pm. At that time, the major radio stations and recording companies were located in the vicinity , which contributed to it becoming a meeting point for illustrious figures, such as Ary Barroso and Elizete Cardoso, among many other artists, as well as politicians, plastic artists and a whole range of characters from Rio's fine bohemia. de Moraes with Tom Jobim was sealed, generating the piece “Orfeu da Conceição”. fraternizing. The house that witnessed the birth of Bossa Nova still preserves the original flooring, furniture and signs, as well as autographed photos and records. By the way, photographing regular customers, distinguished or not, has become a habit, and this collection now has more than one hundred pictures." - ttp://guiaculturalcentrodorio.com.br/casa-villarino-bar/ "Cradle of Bossa Nova, Casa Villarino is reborn in the Center The city's bohemians who, in this pandemic, were orphaned from traditional strongholds can now toast the return of Casa Villarino, in the Center. Preferably, at the whiskey shop's happy hour, which today reopens for customers, always in the late afternoon, nine months after the announcement of the suspension of its operation "indefinitely". A trunk of memories of Rio, Villarino, inaugurated in 1953, was the stage for the musical meeting between Tom Jobim and Vinicius de Moraes: there, they definitively sealed the historic partnership, giving rise to the musical “Orfeu da Conceição” and all of Bossa Nova. . The now official name of the address, on the corner of Avenida Calogeras and Presidente Wilson, is Clube Senac Villarino Bar. But the spirit of the place has been preserved. The decor is the same, and the panel with the photograph in which Vinicius de Moraes is the big star is still on one of the walls. Arnaldo, the cook, will continue piloting the menu with classic dishes - such as the Contrafilé à Oswaldo Aranha, the Picadinho à Avenida, the Mignon à Milanesa and the Arroz de Lula. And everything indicates that Ramos, considered one of the best waiters in the Center, will return to the scene. The difference is that the bar and restaurant will also have a pedagogical proposal, hosting lives with harmonization and gastronomy courses. Faced with the pandemic scenario, the house will be open to the public from Monday to Friday, from 5 pm to 8 pm, with a capacity limited to 20 people and in accordance with health protocols. It will be possible, within happy hour hours, to order delicacies from the menu for delivery. ... writer and journalist Ruy Castro, who tells stories about the past at Villarino in the book “Chega de Saudade” and proudly shows a photo of him and his wife, the writer Heloisa Seixas, "sitting" with Vinicius de Moraes (an illusion created by the panel that is a tourist attraction), celebrates: — Great news, the reopening of Villarino! In fact, I never believed it would close for good. It's too welcoming a space to be abandoned. And if anyone says that this new Villarino isn't "the real Villarino", I'd like to know what it is. The Villarino I knew in the 1970s was no longer the one that Fernando Lobo, Dolores Duran and Haroldo Barbosa frequented, much less the one in which Tom and Vinicius partnered up in the 1950s. going to Algonquin, in New York, since it wasn't the same one that Dorothy Parker frequented? — compares Ruy, citing the American writer who commanded the legendary Round Table confraternity from the bar of the historic Times Square hotel, bringing together New York's intelligentsia in the roaring 20s. — Villarino's new mission is to help attract people to the Center of Rio. This one, yes, has to be reborn to continue to be eternal." - ttps://extra.globo.com/noticias/rio/berco-da-bossa-nova-casa-villarino-renasce-no-centro-25150196 .html #bossanova #riodejaneiro #brazil

Bottle's Bar, Beco das Garrafas, Copacabana, Rio de Janeiro, Brazil - YUMI PARK QUARTET - Cervantes

#bossanova #riodejaneiro #brazil 00:00:00 Getting There 00:01:42 YUMI PARK QUARTET Soundcheck 00:02:55 The Bar 00:03:55 YUMI PARK QUARTET Soundcheck 00:04:42 Around The Bar - YUMI PARK QUARTET First Set - 00:05:05 Fotografia - Tom Jobim 00:07:27 Wave - Tom Jobim 00:08:11 Batida Diferente - Leny Andrade 00:08:53 Caminhos Cruzados - Tom Jobim 00:10:51 O Morro Não Tem Vez - Tom Jobim 00:15:08 Break - The Stage, The Bar 00:15:34 Caipirinha de Maracujá - YUMI PARK QUARTET Second Set - Tribute to Elis Regina 00:16:07 20 Anos Blue - Sueli Costa and Vitor Martins - Version Elis Regina 00:16:59 Casa no Campo - Zé Rodrix - Version Elis Regina 00:18:49 Alô, Alô Marciano - Rita Lee e Roberto Carvalho - Version Elis Regina 00:19:15 Porção de Linguiça Calabresa 00:19:55 Tiro ao Álvaro - Adoniran Barbosa - Version Elis Regina 00:20:58 O Bêbado e o Equilibrista - João Bosco e Aldir Blanc - Version Elis Regina 00:22:30 Maria, Maria - Milton Nascimento - Version Elis Regina 00:23:22 Romaria - Renato Teixeira - Version Elis Regina -- BONUS: Cervantes Bar e Restaurante 00:24:45 Getting There 00:25:20 Hotel Copacabana Palace 00:25:38 Copacabana Beach Sidewalk 00:26:45 O Quiosque do Samba 00:27:34 Av. Nossa Senhora de Copacabana 00:28:20 Bar e Restaurante Cervantes 00:28:53 Sanduíche de Pernil com Queijo Muçarela "Beco das Garrafas was, in the 50s and 60s, the meeting point for young Brazilian musicians. Among the instrumentalists, we can highlight Sergio Mendes, Luís Carlos Vinhas, Baden Powell, Durval Ferreira, Tião Neto, Milton Banana, Manuel Gusmão, Bebeto Castilho, Mauricio Einhorn, Dom Um Romão, Airto Moreira, Wilson das Neves, Chico Batera. Among the singers: Dolores Duran, Elis Regina, Johnny Alf, Sylvia Telles, Jorge Ben, Marisa Gata Mansa, Dóris Monteiro, Claudette Soares, Alaíde Costa, Pery Ribeiro, Leny Andrade and Wilson Simonal. And it was also where the pocket shows of the duo Miéle & Bôscoli were born. With so many musicians meeting and exchanging experiences on a daily basis, an instrumental genre derived from Bossa Nova began to emerge in Beco das Garrafas, which was an ongoing revolution within our instrumental music. This new style was called Samba-Jazz. And the groups Tamba Trio, Trio 3D, Sambalanço Trio, Os Gatos, Meirelles and the Copa 5, Sergio Mendes and Sexteto Bossa Rio, Bossa Três, Jongo Trio, Rio 65 Trio, Sambossa 5, Milton Banana Trio, among dozens of others were born ." - ttps://becodasgarrafas.com.br/principal/contato/ "YUMI PARK QUARTET 21:00 (THUR) | Bottle's Bar Self-taught singer (performer/composer) since October 2012, of South Korean origin, living in Brazil since 1994. Bossa Nova awakened in Yumi, when she listened to a playlist (lounge) at the restaurant where she worked as a waitress, in Alto Paraíso de Goiás (2009). Since then, Yumi follows the dream of having a career as a Bossa Nova interpreter in Rio de Janeiro and without even knowing that a little further ahead, she would find the works of maestro Tom Jobim that she would fall in love with. Today, Yumi Park continues to sing compositions by authors such as: Tom Jobim, Vinicius de Moraes, Roberto Menescal, Marcos Valle, João Donato, Carlos Lyra, Baden Powell, among many others... Her influences: Gal Costa, Nara Leão, Elis Regina , Leny Andrade… And because he lived with jazz musicians from Rio de Janeiro, he also began to dedicate himself to jazz standards with influences from: Betty Carter, Carmen Mcrae, Bobby Mcferrin, Ella Fitzgerald, Dee Dee Bridgewater, Tânia Maria, Cyrille Aimée, Veronika Swift, search that never ends! ... Where do you find Yumi... Mobile / Whatsapp (21) 98148-6168 Instagram: @yumiparkofficial Email: yumiparkoficial@gmail.com" "Carioca Cultural Heritage Cervantes received the title of “Carioca Cultural Heritage”, in addition to several awards. Our brand is to satisfy the palate of our customers, whether with sandwiches on the whim, delicious dishes, well-drawn chopps, tasty drinks, among others. Synonym of relaxation and bohemia Cervantes was founded on July 30, 1955 by Hamuss Zalman. In the beginning it was a simple grocery store that also supplied sandwiches on a whim. In 1965, Cervantes was acquired by two Spanish partners, who turned it into a restaurant and maintained the sandwiches that became famous for their quality and abundance. Another difference is that the restaurant has expanded its opening hours. More than 60 years have been filled with the flavors of our customers' stories: dinners between couples, friends' get-togethers, late-night chats washed down with draft beers, drinks and sandwiches. Over these years we have dedicated ourselves to always acting with a special quality: attention to our customers, friends and suppliers. We thank each and every one of you who is part of this story. Here's to all of us!" - ttps://restaurantecervantes.com.br/

Inside the Royal Portuguese Cabinet of Reading, Rio de Janeiro, Brazil

"The Royal Portuguese Cabinet of Reading (Portuguese: Real Gabinete Português de Leitura) is a library and lusophone cultural institution, is located in Luís de Camões Street, number 30, in the center of the city of Rio de Janeiro, Brazil. It is listed by the State Institute of Cultural Heritage. Elected the fourth most beautiful library in the world by Time magazine, the Cabinet has the largest collection of Portuguese literature outside Portugal. History The institution was founded in 1837 by a group of forty-three Portuguese immigrants, political refugees, to promote culture among the Portuguese community in the then capital of the Empire of Brazil. It was the first association of this community in the city.[1] The building of the current headquarters, designed by the Portuguese architect Rafael da Silva e Castro, was erected between 1880 and 1887 in Neo-Manueline style. This architectural style evokes the exuberant Gothic-Renaissance style in force at the time of the Portuguese discoveries, named Manueline in Portugal for having coincided with the reign of King Manuel (1495–1521).[2] The Emperor Pedro II (1831–1889) laid the cornerstone of the building on 10 June 1880, and his daughter, Isabel, Princess Imperial of Brazil, together with her husband, the Prince Gaston, Count of Eu, inaugurated it on 10 September 1887. Architecture The façade, inspired by the Jerónimos Monastery in Lisbon, was worked by Germano José Salle in lisbon stone in Lisbon and brought by ship to Rio. The four statues that adorn it portray respectively Pedro Álvares Cabral, Luís de Camões, Infante D. Henrique and Vasco da Gama. The medallions of the facade portray, respectively, the writers Fernão Lopes, Gil Vicente, Alexandre Herculano and Almeida Garrett. The interior also follows the Neo-Manueliene style on the covers, wooden bookcases for books and memorials. The ceiling of the Reading Room has a beautiful chandelier and a skylight in iron structure, the first example of this type of architecture in Brazil. The hall also has a beautiful monument of silver, ivory and marble (the Altar of the Homeland), of 1.7 meters of height, that celebrates the time of the discoveries, realized in the Casa Reis & Filhos in Porto by the goldsmith António Maria Ribeiro, and acquired in 1923 by the Royal Cabinet. Public and works Open to the public since 1900, the library of the Royal Cabinet has the largest collection of Portuguese works outside Portugal. Among the 350,000 volumes, both national and foreign, are rare works such as a copy of the "princeps" edition of Os Lusíadas of Camões (1572), the Ordinations of D. Manuel (1521), the Capitolos de Cortes and Leys (1539), Verdadeira informaçam das terras do Preste Joam, segundo vio e escreveo ho padre Francisco Alvarez (1540), a manuscript of the comedy "Tu, só tu, puro amor" by Machado de Assis, and many others. Every year, it receives about six thousand titles from Portugal. There is also an important collection of paintings by José Malhoa, Carlos Reis, Oswaldo Teixeira, Eduardo Malta and Henrique Medina. Every day, it receives, on average, one hundred and fifty visitors. Among its illustrious visitors, from the past, are the names of Machado de Assis, Olavo Bilac and João do Rio.[citation needed] The Royal Cabinet publishes the magazine Convergência Lusíada (semester) and promotes courses on Literature, Portuguese Language, History, Anthropology and Arts, destined mainly for university students. The history of the Brazilian Academy of Letters is linked to that of the Royal Cabinet, since the first five solemn sessions of the academy, under the presidency of Machado de Assis, were held here." - ttps://en.wikipedia.org/wiki/Royal_Portuguese_Cabinet_of_Reading #riodejaneiro #brazil #portugal

Inside Municipal Theater of Rio de Janeiro, Brazil

#riodejaneiro #teatro #teatromunicipal 

00:00:00 Arrival - Alagoas Square

00:00:40 The Building from Outside

00:02:51 Ticket Office

00:03:13 Assyrio's Hall

00:04:37 The Restrooms  WC

00:05:36 Main Hall

00:06:09 The Stage

00:06:20 The Ceiling

00:06:33 Seating Area

00:07:01 The Building - Inside

00:07:39 The Stairs

00:08:41 Stained Glass

00:09:18 Chiquinha Gonzaga's Piano

00:10:06 Miniature Model

00:10:35 The Balcony

BONUS:

00:10:50 Restaurant Amarelinho da Cinelânida - The Way

00:11:20 Entrance - Amarelinho da Cinelândia

00:11:55 Caipirinha

00:12:06 Filé Osvaldo Aranha - Filet

00:12:53 Bombonière Pathé

"One of the most imposing and beautiful buildings in Rio de Janeiro, Theatro Municipal, inaugurated on July 14, 1909, is considered the main venue in Brazil and one of the most important in South America. Its history blends with the trajectory of the country's culture. Over just over a century of existence, the Theater has received the greatest international artists, as well as the main Brazilian names in dance, music and opera.

The idea of ​​a national theater with a state-owned artistic company had existed since the mid-nineteenth century and had João Caetano (1808-1863), an enthusiast of Brazilian theater, as well as a businessman and actor of great merit, one of its strongest supporters. The project, however, only began to gain consistency at the end of that century, with the commitment of our illustrious playwright Arthur Azevedo (1855-1908). Azevedo's tireless fight was fought in the pages of newspapers and ended up bringing results. Regrettably, however, he did not live long enough to see his dream come true, dying nine months before its opening date.

Mayor Pereira Passos – whose urban reform initiated in 1902 radically changed the appearance of downtown Rio de Janeiro – took up the idea and, on October 15, 1903, opened a public competition to choose the architectural project. When the registration deadline ended, in March 1904, seven proposals were received. The first two places were tied: the project called Aquila, in which the “secret” author would be the engineer Francisco de Oliveira Passos, son of the mayor, and the Isadora project, by the French architect Albert Guilbert, vice-president of the Association of French Architects .

The result of the competition caused a strong controversy in the City Council, accompanied by the main newspapers of the time, around the true authorship of the Aquila project, suspected of having been prepared by the architecture section of the City Hall, and the supposed favoritism of Oliveira Passos. The final project was the result of merging the two winners, since both corresponded to the same typology, inspired by the Paris Opera.

After the changes, the building began to be erected on January 2, 1905, with the placement of the first of the 1,180 hardwood stakes on which it is seated. On May 20 of that year the cornerstone was laid.

Some of the most illustrious and renowned artists of the time were invited to participate in the decoration, such as Eliseu Visconti, Rodolfo Amoedo and the Bernardelli brothers. European craftsmen were also recruited to create stained glass and mosaics. Work began at an accelerated pace, with 280 workers taking turns in two shifts. In just over a year, it was already possible to visualize the sumptuousness combined with the elegance and beauty of the construction of the future theater.

The Municipal Theater of Rio de Janeiro, with capacity for 1,739 spectators, was inaugurated by President Nilo Peçanha and Mayor Sousa Aguiar on July 14, 1909, four and a half years after the works began.

In the beginning, the Municipal Theater of Rio de Janeiro received, mainly, opera and dance companies coming mostly from Italy and France. From the 1930s onwards, it began to have its own artistic bodies: Symphony Orchestra, Choir and Ballet, which remain responsible for the official artistic seasons until today.

Since its inauguration, Theatro Municipal do Rio de Janeiro has had four major renovations: 1934, 1975, 1996 and 2008. The first of them increased the capacity of the room to 2,205 seats and, despite the complexity of the work, it was carried out in three months – currently , the Theater has 2,252 seats. In 1975, restoration and modernization works were carried out and, in the same year, the Technical Production Center was created. In 1996, construction began on the Annex building with rehearsal rooms for the Choir, Symphony Orchestra and Ballet. The renovation started in 2008 and completed in 2010 focused on restoring and modernizing the facilities.

Currently, with 113 years of service to national culture, the Municipal Theater of Rio de Janeiro remains one of the main venues in the country. " - https://theatromunicipal-rj-gov-br.translate.goog/apresentacao/?_x_tr_sch=http&_x_tr_sl=pt&_x_tr_tl=en&_x_tr_hl=en-US&_x_tr_pto=wapp

Inside the Cathedral of São Sebastião in Rio de Janeiro, Walking Tour

#walkingtour #church #riodejaneiro

Inside the Cathedral of São Sebastião in Rio de Janeiro, Walking Tour

"The history of the Cathedral, from the foundation stone, to the present day

The Cathedral of São Sebastião do Rio de Janeiro, also known as the Metropolitan Cathedral of Rio de Janeiro, is a Catholic cathedral located in the center of the city of Rio de Janeiro, Brazil.

It was inaugurated in 1979, replacing, as the city's cathedral, the Church of Nossa Senhora do Carmo.

Created in 1676 by the bull of Pope Innocent XI, the Diocese, and later the Archdiocese of São Sebastião do Rio de Janeiro, never had its own Cathedral, it always had to use borrowed churches. In the first 58 years of its history, it was installed in the small church that governor Salvador de Sá had made of adobes and tiles, with three naves, on Morro do Castelo, and which was demolished in 1922, when the dismantling of the hill was completed. .

In 1734, the Cathedral was transferred from Morro do Castelo to the church of Santa Cruz dos Militares, where it remained for only three years. It then moved to the church of Nossa Senhora do Rosário and São Benedito dos Homens Pretos, and stayed there until the arrival of the Royal Family, in 1808, when the Prince Regent of Portugal, Dom João VI, made the church Nossa Senhora do Carmo , in Praça XV, his Royal Chapel, soon elevated, by him too, to the category of Cathedral.

On the 20th day of November 1976, Cardinal Archbishop Dom Eugenio de Araujo Sales appointed the tireless entrepreneur of the construction of the new Cathedral Monsignor Ivo Antonio Calliari as Curate of the Cathedral of São Sebastião and, on December 28, 1983, he appointed him Parish Priest of the Parish of the Cathedral of São Sebastião.

On the 2nd of July 1980, His Holiness Pope John Paul II, on his first visit to Brazil, presided over a solemn ceremony with the Bishops of CELAM, which celebrated its silver jubilee. And, on October 4, 1997, His Holiness presided over a solemn Mass, concelebrated by more than 500 bishops from all over the world and more than 1,000 priests, an occasion in which 5,000 people participated and thousands watched, from all parts of the world, via television, on the occasion of the "II World Meeting of the Pope with Families", definitively consolidating it as a landmark of modern and bold, imposing and functional architecture, distinguished by its noble simplicity.

In the year in which he celebrated 30 years at the head of the Archdiocese, the Most Eminent Cardinal Dom Eugenio de Araujo Sales became Archbishop Emeritus and the Ceremony of the Beginning of Mission of the new Archbishop of São Sebastião do Rio de Janeiro, Dom Eusébio Oscar Scheid, gave on September 22, 2001, in this Cathedral.

In 2009, Cardinal Scheid became Archbishop Emeritus and the new Archbishop Dom Orani João Tempesta, appointed by the Supreme Pontiff Benedict XVI, began the Mission as Archbishop of São Sebastião do Rio de Janeiro, on the Sunday of the Octave of Easter and the Feast of Misericórdia, on April 19, 2009, in a solemn Eucharistic celebration, in this Cathedral of Saint Sebastian, when the episcopal coat of arms was introduced on the Chair, whose motto is: SO THAT ALL MAY BE ONE. Civil, military and religious authorities and thousands of faithful welcomed Dom Orani Tempesta and wished him a blessed shepherding." -

de Doelen Studio: Flowetry, Rotterdam, Netherlands

de Doelen Studio: Flowetry, Rotterdam, Netherlands, 04.03.2023 The smallest Doelen stage is open in the middle of the city of Rotterdam! With a diverse weekly programme there is something for everyone to experience. " Aretha's: FLOWETRY spoken word event in collaboration with productiehuis FLOW On Saturday, 4 March, in de Doelen Studio: FLOWETRY. An evening full of word art, lyricism and rhythmic silences that give you time to experience the flow. Established names, but also new talents enter the stage. Sometimes in Dutch, sometimes in English, sometimes a foreign language; the flow is what connects us. FLOWETRY is a collaboration between Production House FLOW and de Doelen. "

Ipanema Beach Walk until the Sunset at Arpoador, Rio de Janeiro, Brazil

#ipanema #riodejaneiro #brazil 00:00:00 Getting to Ipanema Beach 00:00:18 Ipanema Beach 00:01:15 Band on the Beach - Street Musicians 00:01:25 Sossego - Tim Maia - Musicians on the Beach 00:02:27 Back in Black - ACDC - Musicians on the Beach 00:03:03 Statue of Tom Jobim 00:03:35 Towards Arpoador 00:03:45 Street Musician - Eu Sei Que Vou Te Amar - Tom Jobim 00:04:12 Posto 7 00:04:31 Mango Caipirinha with Passion Fruit at Arpoador 00:04:39 Sunset at Arpoador "PRAIA DE IPANEMA The very beautiful Ipanema Beach is undoubtedly one the mandatory attractions that every tourist must visit in Rio de Janeiro. The beach owes its fame to the worldwide famous song “Girl from Ipanema” from 1962, the result of the partnership between Vinicius de Moraes and Tom Jobim. The song, is a tribute to Helô Pinheiro, and is considered one of the greatest classics of Popular Brazilian Music and became the Bossa Nova anthem, Ipanema, besides being one of the main attractions of the city, also neighboring other attractions as Copacabana Beach and Leblon Beach. Founded in 1894 by José Antonio de Moreira,the Count of Ipanema, nowadays an elegant residential neighborhood. Its elegant beach has numerous attractions such as bars, restaurants and craft fairs and you also guarantee breathtaking photos. A valuable tip: Don´t miss the sunset on the Beach of Arpoador – this is certainly one of the most emotional experiences. After the sun goes down everyone applauds… Simply magical!" - ttps://riotur.rio/en/que_fazer/rio-beaches/ "Ipanema beach is bordered by Arpoador Beach on one end and Leblon Beach on the other end. This beach is considered one of the main centers of activity for the city of Rio. One of the most expensive places to live, the neighborhood is full of wealthy residents. Around the Beach Considered the “little Paris” of Rio it is renowned for its avant-garde galleries, bookstores and movie theatres. Stop in at H. Stern, one of the most popular jewelry stores in the area, and take a tour of their museum. Not only is it free but you receive a little box of semi-precious and precious stones as a gift. Every Sunday the Hippie Fair is held with vendors selling everything from wooden dolls to swizzle sticks topped with parrots. Garcia D'Avila street has some of the best brands of the city. Where to Eat & Drink If you want to try genuine Brazilian feijoada, for the best sushi, for some of the best and most expensive churrasco, you can go to Ipanema. Have an after dinner drink at Garota de Ipanema at the corner of Rua Vinicius de Moraes, where the song “Girl from Ipanema” was written. One of the best tips for Ipanema is the Acarajé. It is a croquette, fried in Dendê (Palm) oil, filled with shrimp (spicy!). It can be found in the Hippie fair on Sundays at General Osorio Square. Sports and what to see Frescobol is a sensantion among cariocas at the beach, it's like tennis, it's played by two people with racquets, not net and you are not to drop the ball. Beach soccer and volleyball are favorite sports that are promoted along Ipanema Beach. If you go to Ipanema don’t miss watching it and if you feel like participating also, it will be a pleasure for Cariocas to have a tourist playing with them. In front of Rua Vinicius de Moraes the beach goers can enjoy the sunset on the 72 square meters viewpoint installed on the beach. The gazebo is an observation point for the Cagarras Island, also has a solar-powered shower to cool off. Ipanema Farme Ipanema Farme is the gay beach of Rio de Janeiro. Located next to Rua Farme de Amoedo, it is frequented by young, muscle bound gay men. However, everyone is welcome and affectionate behavior is accepted. Who’s Who Aside from gays and lesbians Ipanema Farme attracts other visitors. TV stars, single women, families and heterosexual couples all enjoy this stretch of beach. It is quite open and accepting of everyone. To blend in with the locals visitor need to remember to wear their square cut Speedo and Havianas. Doing Business As with most other beaches, there are vendors selling everything from chairs to coconut water. Many of these vendors are very supportive of their clientele flying the rainbow flag, a symbol of the gay community. Promoters also walk the beach handing out flyers to various nightclubs, bars and gay parties. There are even masseuses who walk the beach offering their services. Needless to say they are very popular with the beach goers. " - ttps://www.rio.com/practical-rio/ipanema-beach

Dancing fountains of the city of Metz 2022, Sound and light show, The Eighties

#metz #fountain #lightshow 00:00:00 Introduction Ville de Metz 00:00:06 The Final Countdown - Europe 00:00:37 Celebration - Eumir Deodato and Kool & The Gang 00:00:53 Gimme! Gimme! Gimme! (A Man After Midnight) - ABBA 00:01:21 I Just Can't Get Enough - Depeche Mode 00:01:30 Fame - David Bowie 00:01:31 The Best - Tina Turner 00:01:58 I Want to Break Free - Queen 00:02:30 Sweet Dreams - Eurythmics "A new, unprecedented edition of the dancing fountains begins in Metz on June 24, 2022. Placed under the sign of the 80s, the sound and light show will be visible every Friday, Saturday and Sunday at 10.30 p.m. and 11 p.m. and will illuminate Swan Lake, located behind the courthouse, until September 3." Article original : Metz : la nouvelle édition inédite des fontaines dansantes débute vendredi ttps://tout-metz.com/fontaines-dansantes-metz-2022-852741.php