Day 03 - 153rd Audio Engineering Convention, New York, 2022 - Homemade Tribute Aftermovie

153rd Audio Engineering Convention, New York, 2022 - Audio Engineering Society: Day 03 00:00:33 Real-Time Parallel DSP Processing on GPUs: An Introduction - Very short excerpt - https://aesfallconvention2022.sched.com/event/1CX3K/real-time-parallel-dsp-processing-on-gpus-an-introduction?iframe=no GPU Audio 00:00:42 Teaching AI to hear like we do: psychoacoustics in machine learning - Very short excerpt - https://aesfallconvention2022.sched.com/event/1Ay8V/teaching-ai-to-hear-like-we-do-psychoacoustics-in-machine-learning?iframe=no AES Technical Committee on Machine Learning and Artifical Intelligence [TC-MLAI] #audioengineering #aesnyc #audio

Birdland Jazz Club, New York City - Wednesday Night jazz: Frank Vignola’s Guitar Night

Birdland Jazz Club, New York City - Wednesday Night jazz: Frank Vignola’s Guitar Night in the Theater + Special Guest Henry Acker "BIRDLAND HISTORY Ever since most of Chicago’s top musicians moved to New York in the mid-to-late 1920s, New York City has been the Jazz Mecca. Nearly every major jazz style of the past seventy years has been initiated in the Big Apple. It was Charlie Parker, familiarly known to his fans and fellow musicians as “Bird,” a contraction of Yardbird, his formal nickname, who was the dynamic creative personality and genius of the alto saxophone who served as the inspiration for Birdland. The Early Days of Jazz in NYC When the original Birdland opened in December of 1949, Charlie Parker was the headliner and the club was located on Broadway, a block west of the 52nd Street scene, which was a hotbed of jazz in the 1930s and 40s. Miraculously, just as the scene on 52nd Street caved in, Birdland was born and quickly came to prominence. For the next fifteen years, the club’s survival formula was built upon memorable double and triple bills, commencing at 9 p.m. and sometimes lasting ’til dawn. In addition to Bird, many jazz legends were regulars at the club. Count Basie and his smokin’ big band made Birdland their New York headquarters, eventually recording George Shearing’s “Lullaby of Birdland” live at the club. John Coltrane’s classic Quartet regularly appeared at the club in the early 1960s, recording “Live at Birdland.” And the famous DJ, Symphony Sid Torin made a name for himself broadcasting live from the club to radio listeners up and down the eastern seaboard. ... Birdland’s booking history reads like a who’s who of jazz: Charlie Parker, Dizzy Gillespie, Thelonious Monk, Miles Davis, John Coltrane, Bud Powell, Stan Getz, Lester Young, Erroll Garner, and many, many others. Considering the excitement that Birdland generated on a daily basis, it’s no surprise that the club attracted its share of celebrities. Regulars to the nightly festivities included such household names as Gary Cooper, Marilyn Monroe, Frank Sinatra, Joe Louis, Marlene Dietrich, Ava Gardner, Sammy Davis, Jr. and Sugar Ray Robinson. ... But as a new popular music, Rock & Roll emerged, Birdland’s fortunes declined in the 60’s and its doors were closed on Broadway and 52nd in 1965. After many 5 am nights, the club needed to take a nap. ... Now, half a century later, the Birdland banner has been reborn in midtown and called, “close to perfection for serious fans and musicians,” by The New York Times. After a decade of neighborhood success on the Upper West Side, John decided to move the club back to Midtown. The new Birdland offers top-flight jazz in a world class setting, good sight lines and acoustics, elbow room, and an award-winning menu featuring American cuisine with a Cajun flair. Modern Jazz in Manhattan Since the reemergence of the club, midtown Manhattan has been treated to some of the best jazz on the planet, including memorable sets by such musicians as Oscar Peterson, Pat Metheny, Diana Krall, Roy Haynes, Michel Legrand, Dave Brubeck, Pat Martino, Tony Williams, Hank Jones, Michel Petrucciani, Maynard Ferguson, Freddie Hubbard, Marian McPartland, John Pizzarelli, Kurt Elling, Joe Lovano, McCoy Tyner, Michael Brecker, Clark Terry, Ron Carter, Jon Hendricks, George Shearing, James Moody, Yellowjackets, John Scofield, Phoebe Snow, Dave Holland, and Tito Puente, as well as the big bands of Chico O’Farrill, Duke Ellington, Toshiko Akiyoshi, and Maria Schneider. In addition, Birdland is home to such popular musical events as the Umbria Jazz Festival in NYC and the Annual Django Reinhardt NY Festival. Over the past two decades, Birdland has expanded it’s musical outreach with the Broadway at Birdland concert series, shining a spotlight on Chita Rivera, Liza Minnelli, Michael Feinstein, Betty Buckley, Christine Ebersole, Barbara Cook, Ariana DeBose, Glenn Close, Melissa Manchester, and thousands more. Jim Caruso’s Cast Party, our weekly impromptu variety show, has helped make Birdland the late-night place to rub shoulders with show folk every Monday since 2004. And the 2018 addition of the state-of-the-art Birdland Theater has made it possible to include Broadway superstars, burlesque, comedy, cabaret divas, jazz legends and the most buzzed-about up-and-comers to our schedule. Since 1949, Birdland has established itself as an essential part of New York City culture and musical history." - https://birdlandjazz.com/history/ "It’s the best jazz guitar lover’s show in the world, celebrating all facets of the guitar in jazz. Frank Vignola’s virtuosity has made him the guitarist of choice for many of the world’s top musicians, including Ringo Starr, Madonna, Donald Fagen, Tommy Emmanuel, the Boston and New York Pops, and more.." - https://birdlandjazz.com/event/frank-vignolas-guitar-night-in-the-theater-6/ #jazz #newyork #jazzclub

153rd Audio Engineering Convention, New York, 2022 - Homemade Tribute Aftermovie: Days 01 and 02

153rd Audio Engineering Convention, New York, 2022 - Audio Engineering Society: Days 01 and 02 00:00:29 Spatial Resolution in Immersive Productions - Excerpt - https://aesfallconvention2022.sched.com/event/1Ay7L/spatial-resolution-in-immersive-productions?iframe=no Lasse Nipkow CEO, Silent Work GmbH 00:00:57 The Art Of Immersive Audio Productions - artistic opportunities - Excerpt - https://aesfallconvention2022.sched.com/event/1Cmt0/the-art-of-immersive-audio-productions-artistic-opportunities?iframe=no Herbert Waltl CEO & senior producer, media HYPERIUM 00:01:08 Binaural rendering of audio signals using waveform-based acoustic panning - Excerpt - https://aesfallconvention2022.sched.com/event/1B2HL/binaural-rendering-of-audio-signals-using-waveform-based-acoustic-panning?iframe=no Masayuki Nishiguchi Professor, Akita Prefectural University 00:01:16 Real-time spatialization via Eigen decomposition of head-related transfer functions - Excerpt - https://aesfallconvention2022.sched.com/event/1B2HP/real-time-spatialization-via-eigen-decomposition-of-head-related-transfer-functions?iframe=no Juan Camilo Arevalo Arboleda Student, University of Aizu 00:01:42 Combining Deep Learning and Web Audio for Automated Real-time Audio Speech Production - Excerpt - https://aesfallconvention2022.sched.com/event/1B0vg/combining-deep-learning-and-web-audio-for-automated-real-time-audio-speech-production?iframe=no Tor Sigvardson Audio Engineer, Sveriges Radio 00:01:52 Reverse Engineering Memoryless Distortion Effects with Differentiable Waveshapers - Excerpt- https://aesfallconvention2022.sched.com/event/1B2HG/reverse-engineering-memoryless-distortion-effects-with-differentiable-waveshapers?iframe=no Joseph Colonel Centre for Digital Music , Queen Mary University of London 00:02:11 Moving Picture, Audio, and Data Coding by Artificial Intelligence (MPAI) – New Audio Standards Exploiting Artificial Intelligence - Excerpt - https://aesfallconvention2022.sched.com/event/1Ay7a/moving-picture-audio-and-data-coding-by-artificial-intelligence-mpai-new-audio-standards-exploiting-artificial-intelligence?iframe=no Marina Bosi Marina Bosi is a founding Director of the Moving Picture, Audio, and Data Coding by Artificial Intelligence (MPAI) and the Chair of the Context-based Audio Enhancement (MPAI-CAE) Development Group. Leonardo Chiariglione Mark Seligman Speechmorphing, Inc. #audioengineering #aesnyc #audio

Dizzy's Club, New York City - Tuesday Night Jazz: GREG REITAN TRIO

"Dizzy's Club offers live jazz performances with panoramic views of the Manhattan skyline, a warm ambiance, and a delicious seasonal menu. Dizzy’s Club soars several stories above the expansive vista of New York City’s Central Park." - https://2022.jazz.org/dizzys-club "Pianist, Composer and Steinway Artist Greg Reitan returns to Dizzy’s Club to perform selections from his latest release, West 60th, on Sunnyside Records. Greg was a finalist in the Great American Jazz Piano Competition and the 1996 Hennessy Cognac Jazz Search in New York. In 2002, he won the inaugural ASCAP Young Jazz Composer Award. Reitan is also the recipient of the prestigious Copland House Award which featured a month-long composing residency at Aaron Copland’s historic home and studio in the spring of 2019. ... "Reitan possesses blazing chops, which are put to excellent purpose on his fifth CD. His compositions are thoughtful yet never mawkish, while his prodigious technique takes his longtime trio of bassist Jack Daro and drummer Dean Koba down unexpected paths. The trio plays as a seasoned unit, a rare thing in any jazz environment.”- Ken Micallef, JazzTimes Magazine" - https://2022.jazz.org/greg-reitan-trio #jazz #newyork #jazzclub

The Village Vanguard, New York City: Monday Night Jazz - Vanguard Jazz Orchestra

"It has become, perhaps, the most famous basement in New York City. The small room with low ceilings and remarkable acoustics has staged more than 100 live commercial recordings, several of which are essential works in the history of jazz on record. The Village Vanguard, open since 1935, is the oldest continuously operated jazz club in the world." - https://www.npr.org/2008/08/27/94034531/the-village-vanguard-a-hallowed-basement “There’s no other place on the planet where so many greats played for so many years, and that’s one of those statements that seems like hyperbole, but it’s not,” said Loren Schoenberg, the artistic director of the National Jazz Museum in Harlem. “It’s really the only quote unquote holy place left in jazz—period.” - https://observer.com/2015/02/as-the-village-vanguard-turns-80-it-remains-new-yorks-most-cherished-jazz-club/ "The Vanguard Jazz Orchestra began its life as the Thad Jones/Mel Lewis Orchestra in 1966.The world-famous Village Vanguard jazz club in New York City booked the newly formed band for three Monday nights that February. Those performances were wildly successful and the engagement was extended indefinitely. The Village Vanguard’s owner, Max Gordon, told Mel Lewis, “We’ll keep it going until it tapers off.” Over half a century and more than 2700 Monday nights later, it still hasn’t. The Vanguard Jazz Orchestra stands apart from all other modern ensembles of its kind and is still as strong and vital as ever." - https://villagevanguard.com/ #jazz #newyork #jazzclub

Inside the Hamburg Planetarium: Fulldome Immersive Audiovisual Production - Queen, Pink Floyd, Led

Planetarium Hamburg SpatialSound Wave - Fraunhofer IDMT "Spatial audio production for immersive fulldome projections - Verband Deutscher Tonmeister e.V. Johannes Ott, Anca-Stefania Tutescu, Niklas Wienböker, Jan Rosenbauer, Thomas Görne - Hamburg University of Applied Sciences Fulldome is an immersive half-spherical video format utilized mainly in planetariums which is often combined with spatial audio playback. This combination on one hand offers new ways of perceiving sound in space and on the other hand helps enhancing fulldome productions with audiovisual synergy. However, audio production for fulldome video poses some technical and artistic challenges. Limited time slots and resources seldom allow to work on sound productions inside a planetarium directly. Likewise, the various spatial audio technologies provide the user with fairly different approaches to create, position and move sounds in space." - https://lnkd.in/dYWZmc_U -------------------------------------------------------------------------- "SpatialSound Wave is an object based system for producing and replaying true-to-life three-dimensional sound. While the system allows the listener to virtually immerse in the sound and enjoy an acoustically realistic sound experience, it offers sound engineers and other users new options to easily and efficiently produce spatial sound. ... Using SpatialSound Wave, audio objects can be positioned at will, providing a totally realistic compliance of what is seen and what is heard. The system features an innovative module for interactive room simulation..." - https://lnkd.in/dS-ybZ_E -------------------------------------------------------------------------- "Audio-Inhalte und akustische Umgebungen werden im Sternensaal richtungsgerecht und dreidimensional wiedergeben, wodurch ganz neue Klanginszenierungen entstehen. Grundlage ist die patentierte Technologie der Wellenfeldsynthese („SpatialSoundWave“) des Fraunhofer Instituts für Digitale Medientechnologie IDMT. Das neue Soundsystem entstand durch eine Kooperation des Fraunhofer IDMT. 60 QSC-Lautsprecher und vier Subwoofer wurden hierfür hinter der Sternenkuppel des Planetarium Hamburg installiert." - https://lnkd.in/dsahzR79 ------------------------------------------------------------------------- Queen Heaven - The Original - https://lnkd.in/drApDTBZ See you on the dark side of the moon - https://lnkd.in/dU8TaAqw Stairway to Heaven - Laser Zeppelin - https://lnkd.in/d3Mrr-6x #audio #audioengineering #signalprocessing #acoustics #immersiveaudio #spatialaudio #3daudio #sound #music #loudspeakers #musictechnology #audioproduction #proaudio #dsp #technology #research #soundsystem #sounddesign