Samba da Pedra do Sal, Rio de Janeiro, Brasil, Roda de Samba, Música Brasileira
#samba #rodadesamba #riodejaneiro
Samba da Pedra do Sal, Rio de Janeiro, 06.03.2023
00:00:00 Samba da Pedra do Sal
00:02:38 Caipirinha
00:05:24 Beth Carvalho - Vou Festejar
"Rio de Janeiro, século XIX: aos pés do então Morro da Conceição, um lugar era conhecido como Pequena África: ali escravos trabalhadores da estiva se reuniam para fazer oferendas tocar seus tambores e dividir momentos de alegria em rodas de samba marcados na palma da mão, no pandeiro, no prato-e-faca;
O local escondido entre os altos prédios do centro carioca e os velhos casarões do passado, guarda parte da história cultural do Rio e do Brasil: Além de servir como ponto de embarque e desembarque de sal, utilizado para fabricação de couro e conserva de carne, era o refúgio dos nossos antepassados para celebrar suas culturas que deram origem ao samba urbano carioca.
Uma escadaria, cercada por paredes com desenhos que remetem a história do local, nos leva a fazer uma viagem no tempo: Se aquelas pedras e paredes falassem, é possível imaginar quanta história teriam para contar.
Ali um neto de escravos escreveu a maioria dos seus versos: o famoso João da Baiana.
Trabalhador da Estiva, João escrevia canções bem-humoradas mas que traziam crítica ao racismo e ao regime desigual e injusto que imperava na época. A Famosa canção Batuque de Cozinha é um exemplo da maneira criativa que João encontrou de criticar a injustiça racial da época. Na pedra do sal, João se reunia com os amigos de infância de Donga e Heitor dos Prazeres, além de se encontrar com Pixinguinha para cantar seus sambas.
Assim a Pedra do Sal se transformou em um reduto do tradicional samba de roda carioca, transformando-se em patrimônio cultural da cidade. Ali Donga, João da Baiana, Pixinguinha e muitos outros sambistas, cresceram e se reuniram inúmeras vezes para compor e cantar samba.
Foi na Pedra do Sal que nasceu o samba urbano carioca, as tradicionais rodas que hoje fazem sucesso no Brasil e no mundo.
A tradição que começou como um refúgio para negros, escravos ou brancos pobres, se perpetuou pela história e até hoje, na Pedra do Sal, faça chuva, faça sol, a tradição das rodas de samba continua firme: Hoje o Largo João da Baiana, nos pés do Morro da Conceição onde se encontra a Pedra do Sal, é palco de animadas rodas de samba as segundas e sextas-feiras principalmente.
A roda é democrática: não existe cobrança de ingresso, nem lugar reservado: todo mundo pode chegar, cantar, dançar ou simplesmente escolher um canto, na pedra, na escadaria, para sentar e fazer uma viagem no tempo.
Para os amantes da cultura carioca e principalmente do samba, a Pedra do Sal é um lugar místico e é impossível participar de uma roda de samba sem se arrepiar ou até se emocionar. Assim, a Pedra do Sal atrai sambistas, turistas, admiradores, curiosos enfim, gente de todo Brasil e do mundo que lotam as rodas de samba no Largo João da Baiana.
No Dia Nacional do Samba, 2 de dezembro, integrantes do quilombo da Pedra do Sal celebram a lavagem da Pedra. Quem põe a mão na massa são grupos de candomblé e membros do bloco carnavalesco Afoxé Filhos de Gandhi. Há rodas de samba, de capoeira, culinária temática, exibição de filmes e palestras enfim, várias atrações que remetem a história deste lugar que é um dos berços do samba carioca." - https://www.sambando.com/pedra-do-sal-aqui-nasceu-o-samba-carioca#:~:text=Na%20pedra%20do%20sal%2C%20Jo%C3%A3o,em%20patrim%C3%B4nio%20cultural%20da%20cidade.
"Com o intuito de preservar a memória do samba genuíno do século XIX — introduzido na região portuária pela diáspora baiana — um grupo de sete amigos músicos se reúne há oito anos na histórica Pedra do Sal, sempre às segundas-feiras, para louvar, com muito respeito, a ancestralidade deste ritmo brasileiro que encanta o mundo.
Localizada ao pé do Morro da Conceição, a Pedra do Sal ganhou este nome por ser o local de descarga do produto, tão precioso na época, e que virou ponto de encontro dos sambistas que trabalhavam como estivadores. Toda a região no entorno da Praça Mauá era conhecida como Pequena África, pela quantidade de descendentes africanos que lá residiam, muitos deles alforriados vindos da Bahia. Segundo relatos, o samba e o choro conviviam em harmonia nas festas que ali aconteciam, especialmente as de Tia Ciata, que recebia até Pixinguinha para tocar choro na frente da sua casa para afugentar olhares curiosos, especialmente da polícia, enquanto as batucadas aconteciam à vontade, nos fundos. Foi desses encontros musicais que surgiu o genuíno samba de roda.
A informalidade permanece até hoje, com os músicos tocando ao ar livre em uma mesa central, ao pé da pedra, onde apenas o som de instrumentos, como violão, cavaquinho, reco-reco de bambu, cuíca, surdo e pandeiro, são amplificados. As letras são cantadas “no gogó” e ganham voz com o acompanhamento do público, que vai se acomodando por todo o Largo João da Baiana, resultando em um emocionante encontro popular.
" - https://tinyurl.com/4pa27yyh
Libya's Revolution | Full Episode | S01 E04 | Anthony Bourdain: Parts Unknown
Libyan hip-hop, Italian restaurants, tribal allegiances and post-war uncertainty in Libya. Bourdain looks at the country through personal stories, food and the music of anti-Qaddafi rapper expats who returned to fight.
Welcome to Anthony Bourdain: Parts Unknown YouTube Channel!
This travel and cooking documentary features Anthony Bourdain travelling the world to discover little-known parts of the world and celebrate diverse cultures by exploring food and culinary rituals.
Subscribe here to discover all of Anthony Bourdain's adventures around the world: 
/ @anthonybourdainpartsunknown
/ @anthonybourdainpartsunknown #crypta #metal #brazil
00:00:00 Mister Rock
00:00:25 Tellus Terror
00:01:16 Merchandise
00:01:39 Hatefulmurder
00:07:32 Hatefulmurder - I Am That Power
00:11:29 Angélica Burns - Hatefulmurder Singer - Merchandise
00:11:57 Crypta - The Aftermath
00:18:06 Crypta - Poisonous Apathy
00:25:54 Maracujack Cocktail
00:28:23 Crypta - Stronghold
"Death metal band @cryptadeath continues its tour to promote its acclaimed album Shades of Sorrow, alongside major bands in a huge show that arrives in Belo Horizonte this Sunday." - ttps://www.instagram.com/p/C_stUyNR5sF/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
Anthony Bourdain Explores Columbia | Full Episode | S01 E03 | Anthony Bourdain: Parts Unknown
The public face of Colombia has changed immensely over the past ten years and is still changing for the better. Tony will explore several regions of the country from the mountains down to the Caribbean coast to the coca leaf-growing lands formerly controlled by drug cartels.
Welcome to Anthony Bourdain: Parts Unknown YouTube Channel!
This travel and cooking documentary features Anthony Bourdain travelling the world to discover little-known parts of the world and celebrate diverse cultures by exploring food and culinary rituals.
Subscribe here to discover all of Anthony Bourdain's adventures around the world: / @anthonybourdainpartsunknown
/ @anthonybourdainpartsunknown Asian Communities in Los Angeles | Full Episode | S01 E02 | Anthony Bourdain: Parts Unknown
Roy Choi created a Brave New World of gastronomy almost single-handedly with his LA-based Kogi trucks. A Korean American who grew up on the fringes of Mexican and hip-hop culture; his food reflects a new American idea of a "natural" fusion of culinary influences that grew up next to and with each other. Bourdain examines the meeting point of Asian, Mexican, and Latino culture in modern LA.
Welcome to Anthony Bourdain: Parts Unknown YouTube Channel!
This travel and cooking documentary features Anthony Bourdain travelling the world to discover little-known parts of the world and celebrate diverse cultures by exploring food and culinary rituals.
Subscribe here to discover all of Anthony Bourdain's adventures around the world: / @anthonybourdainpartsunknown
/ @anthonybourdainpartsunknown Exploring the Myanmar Region | Full Episode | S01 E01 | Anthony Bourdain: Parts Unknown
Anthony and his crew explore the beautiful and legendary area of Myanmar in Asia to indulge in the local cuisines of a country that had been, until recently, off limits to outsiders.
Welcome to Anthony Bourdain: Parts Unknown YouTube Channel!
This travel and cooking documentary features Anthony Bourdain travelling the world to discover little-known parts of the world and celebrate diverse cultures by exploring food and culinary rituals.
Subscribe here to discover all of Anthony Bourdain's adventures around the world: / @anthonybourdainpartsunknown
/ @anthonybourdainpartsunknown The Legendary Hansa Studios in Berlin: David Bowie, Depeche Mode. Outside walking tour [4k] Germany
#berlin #hansastudios #walkingtour
00:00:00 Köthener Str. with Stresemannstraße
00:00:09 Depeche Mode historical photo at Köthener Str. with Stresemannstraße
00:00:51 Hansa Studios, Köthener Str. 38, 10963 Berlin
00:01:07 David Bowie Poster at Hansa Studios
00:01:12 David Bowie historical photo at Hansa Studios
"Hansa Studios started in the early 1960’s as a small recording studio in the headquarters of Hansa Music Production, founded by brother’s Peter and Thomas Meisel, in Berlin.
Since 1965 however, they were using the Meistersaal for most of their productions, the former Sonopress Studio of Ariola-Eurodisk, which later became the legendary Hansa Studio 2 (The Big Hall By The Wall). Through the steady growing number of Hansa artists and the productions resulting there from, the Meisel brothers decided to found Hansa Tonstudio GmbH, in the beginning of the 1970’s, and built their own studio in order to be able to produce independently. So, Hansa Studio 1 opened in 1973 on Nestor Street in Berlin Halensee from which countless recordings of renowned national and international artists emerged from then on. In 1975 the Meisel brothers also took over the former Sonopress Studio on Köthener Street, turned it into Hansa Studio 2 and from then on continued to produce one hit after the other. At that time 2 studios were already working under the Hansa Studios name.
In 1976, the Meisel Brothers purchased the house on Köthener Street, which had been severely damaged in the Second World War, and gradually developed it into a music production house. The mixing studio, known today as the Hansa Mixroom, was built on the 4th floor. Directly beside it – as a substitute for Studio 1 on Nestor Street, which was closed in the late 1970’s – the Meisel’s built Studio 1, which started up in 1980. In order to get acquainted with the newest mixer technology, a training studio was built on the 3rd floor especially for the sound engineer and assistants. At the start of the 1980’s, Hansa Studio 3 was built in a former cinema on the ground floor making a total of 5 studios.
...
Hits from Mireille Mathieu, Drafi Deutscher, Juliane Werding, Marianne Rosenberg, Manuela, Christian Anders and many, many more were produced here like a factory. Not to mention many successful albums from Peter Maffay, Udo Jürgens or Roland Kaiser, who partly still produce here today! In the 1970’s, Hansa Studios became known worldwide through the artist David Bowie who lived and worked in Berlin at the time. In the studio beside the wall, Bowie wrote his hit “Heroes“. He recorded numerous albums here, also together with his friend and colleague Iggy Pop. “Low” (1977), “Heroes” (1977), “Baal” (1982). Last but not least, because of its good reputation, equipment, exceptional acoustics and the many successful national and international successes, Hansa Studios was considered one of the leading international recording studios.
Depeche Mode “Construction Time Again” (1983), U2 “Achtung Baby” (1991), Nick Cave & The Bad Seeds, Marillion “Misplaced Childhood” (1984), Real Life “Send Me An Angel” (1982) and many other top acts produced their worldwide successes at Hansa Studios. Due to the changing situation in the music industry and the declining demand for large recording studios, the Meisel’s decided to dismantle Studio 2 and 3 in the beginning of the 1990’s. Thus, Hansa Studio 2 was again restored to its original state of being the Meistersaal. Offices for film production companies were built into the former Studio 3. The mixing studio and training studio were permanently rented and, from then on, were no longer part of the Hansa Studio. Only Hansa Studio 1 on the 4th floor and a newly set up midi studio continued on as the Hansa Studio. Today, Studio 1 is still the successfully active Hansa Studio, wherein acts like Supergrass “Diamond Hoo Ha” (2008), The Hives, Snow Patrol “A Hundred Million Suns” (2008), R.E.M. “Collapse Into Now” (2010) and many others record their songs and albums. Accessibility to the Meistersaal as a recording studio is still available. So, for example, the Swedish band Kent recorded their whole album there, R.E.M. recorded a live session with sound and images and Mark Knopfler gave a record release concert there.
The Hansa building on Köthener Street is arguably the most creative music house in Berlin. The idea of a “Music House“created in the early 1970’s is more alive than ever. Numerous independent studios and production companies from all musical areas work together here under the same roof. From rock, hip-hop, pop and hits to film scores and dubbing – it’s all produced here." - https://hansastudios.de/en/about-2/history/
Konzerthaus Berlin, Germany 🇩🇪
Influence of acoustics on emotional impact of music in Konzerthaus and Philharmonie Berlin, Conference: DAGA 2016, At: Aachen - Deutsche Gesellschaft für Akustik e. V., Winfried Lachenmayr (Müller-BBM BSO GmbH), Jukka Pätynen (Aalto University) - https://lnkd.in/d2y2rTGY
Recordings with the same real orchestra taken in two halls (rectangular and vineyard) from each two receivers (close and far) are compared regarding their subjective impact in a PC-listening test. At the same time, the participants gave adjectives for each pair to investigate why a certain stimulus was chosen over the other one. It can be seen that the rectangular hall and the closer seats are rated with higher impact.
Analysis of the vocabulary shows that loudness related attributes are driving the decisions (1/3 of answers). In a second step, the stimuli were adjusted to have the same mean loudness. Even though loudness related attributes then loose importance - as expected and visible in the vocabulary data-, the impact ranking stays the same. Spatial attributes, proximity and bass perception take over importance." - https://lnkd.in/dXXTRvyt
Konzerthaus Berlin Finds Clarity With Meyer Sound CAL Column Arrays,
Meyer Sound Feb 6, 2015 - Live Design Magazine
"Ranked amongst the top five symphonic concert venues, Konzerthaus Berlin has recently installed the steerable Meyer Sound CAL™ column array loudspeakers in its Great Hall (German: Großer Saal).
Blending inconspicuously into the hall’s neoclassical architecture, the slender, elegant arrays are used for music reproduction as well as voice applications from concert narration and conductor commentary to emergency alarm systems.
...
The 1,418-capacity Konzerthaus Berlin was opened as a theatre in 1821 and rebuilt as a concert hall in 1977. The acoustics in the shoebox-shaped Great Hall have been ranked among the world’s five best for symphonic music by eminent acoustician Leo Beranek. " - https://lnkd.in/dxw7XfBg
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